Alienation in Samuel Becketts Waiting for Godot Essay -- Waiting for

Alienation in Samuel Becketts wait for Godot The aberration of humanity from truth, purpose, God, and each other is the theme of Samuel Becketts toy, Waiting for Godot. The plays cyclical and fragile presentation conveys a feeling of the hopelessness that is an effect of a godless, and therefore, haggard world. Lack of communication, the cause of mans alienation, is displayed well through absurdist diction, imagery, structure, and point of view. The intent of the play is to evoke a feeling of incompleteness and depression. The conversation between Vladimir and tarragon, the protagonists of Waiting for Godot, seems to be void of meaning. The play begins with nothing to be done and ends with an unfulfilled Yes, lets go. Suicide was often mentioned and reasoned through in passing, as though their deaths mattered neither to them nor anyone else. Their deaths were barely even recognized by them as a change. They argued or so shoes and carrots when tarragon, the representative of materialistic human nature, was concerned roughly it. They argued about the thiefs presence in notwithstanding one of the gospels and spectral matters when Vladimir initiated conversation. A minor goal discussed by Vladimir and Estragon was to pass the time, though they often forgot what day it was, not to mention whom theyd met, where theyd been, and why it ever mattered. Vladimir and Estragon engaged in dialogue with passing travelers Pozzo and Lucky. Luckys speech was a righteous example of the plays meaning. The outward appearance of Luckys words was that he was a fool who once held power over a great vocabulary, but could only toss words together in a confounding variety show at that time. Just as a deep feeling about the absence... ...keep waiting because Godot promised to come tomorrow. But tomorrow never came. In twain Luckys speech and the play, the characters, reader, and thesis are left unsatisfied. There is no cultivation to Luckys speech. He simply babbled on until his listeners removed his thinking cap. The play leaves Vladimir and Estragon still waiting. Knowing no god, Beckett sees life as futile and mocks two life and death in his play. Beckett can arouse emotions from his audience by not arranging his play in an emotional way. Absurdist theater is further from the melodramatic tragedies of stereotypical plays. Waiting for Godot is antisocial, devoid of superficial meaning, and empty to its nitty-gritty simply because of its blank, forgetful, and meaningless aspects. Yet beneath this clever camouflage is a depth of depression, sprung from a fountain of godless life and non-communication.